Showing posts with label Lori Landau. Show all posts
Showing posts with label Lori Landau. Show all posts

Friday, July 19, 2019

Friday Feedback With Lori Landau: Play With Your Art and Other Downward Dog Epiphanies




"How do flowers experience life? 

What do humans have in common with birds, or water or grass? 

How does the body carry and interpret 
consciousness?"

These questions opened the draft blog post of my guest host, my amazing friend Lori Landau.  The rest of the post is coming to you, soon, below.


But first a bit about Lori. 

Her poetry, essays and articles have been published in books, magazines, and online, and she has shown her art in a variety of venues in the tri-state area. 
My full of love and light friend. . . 

In addition, she's a certified yoga and meditation teacher, and offers experiential writing workshops that are deeply inspired 
by her connection to poetry, spirit, and elemental materials like water, earth, branch and stone. 

She's also currently an MFA candidate in Interdisciplinary Arts, and is working on a book about contemplative creativity.

Whew!!!

I have known Lori since we were young (young) adults, have always admired her art and poetry, and have even featured her at least a few times, like here, on my blog

But with all that said, she's never hosted Friday Feedback before. 

Then, a few weeks ago, we were out to dinner with my family. My husband, who is a beautiful singer, was lamenting how he doesn't really sing very much any more. He gave her a bunch of lame reasons that made me sad. I backed away from the conversation, it being one he and I have had before. 

Then Lori asked him, "When was the last time you just enjoyed it all? Played with your music? Had fun with your craft?"

The question was so pure and simple and perfect (and different than anything I would have come up with to say to him), it got me thinking how wonderful it might be if she pursued the thought a little bit more here. With me, her and YOU.

So without further ado, and springing off from her above three questions that opened this post, here she is. Lori Landau:

Daily Drawing Practice
Rilke advised the young poet to “live the questions.” I read that line when I was seventeen, the same year that I had my first poem published (in Seventeen magazine). From an early age I experienced life as a series of mysteries and the questions themselves have become a part of my cellular being, and my creative practice which is writing and making art. 

I have written poems, essays and made art since I was a teen. (Including trading poems with Gae, who wrote gloriously even before she graduated high school). In my attempt to be the best I can be, I have studied art, writing, yoga, meditation, Buddhism, and countless other things all in an attempt to learn as much as I could about myself and my crafts, and still I struggled. 

I was the quintessential, perfectionist procrastinator, better at distracting myself or making myself wrong than actually sitting down to do what I loved.

I was the quintessential, perfectionist procrastinator, better at distracting myself or making myself wrong than actually sitting down to do what I loved.
That is, until I realized that in trying to be perfect, I was going about it all wrong. I was losing out on what I loved best about making art and writing: the process of discovery.  
Daily Drawing Practice

That’s when I began to apply all of those meditation lessons and downward dog epiphanies to my writing. I realized, if I want to write and make art without all the pressure I was putting on myself, I would have to make it fun. 

Remember fun? 

It’s hard to allow ourselves to cultivate a sense of play in our culture which puts a high value on productivity.

My tutelary spirits. . . have all given me ideas for how to put the emphasis on process rather than product. 

But my best work happens when I can get out of my own way and just do what I love. Making my art and writing fun means getting curious about myself, and about the craft of writing and art. I study how other writers and artists create, by regularly reading the work of my tutelary spirits. John Cage, Jenny Saville, William Kentridge, Lao Tze, Ryokan, David Hume, Martin Heidegger, Anselm Keifer, Bell Hooks, Yoko Ono, John Berger, Twyla Tharp, Mary Oliver, Walt Whitman, have all given me ideas for how to put the emphasis on process rather than product. 

Now, I bring a sense of exploration to my own practices. I am deeply fascinated with how elements like chance and intuition affect the creative process. Focusing on that fascination means allowing myself to try things without an expectation for a fantastic outcome. 

I have found that allowing myself to just enjoy what I am doing yields much better results than over-efforting.


For instance, if I want to draw a portrait and don’t like the way it is coming out, I try drawing it with my left hand (I’m a righty) in order to unleash the intuitive mind. If I can’t come up with a brilliant poem or paragraph, (yes, I do still struggle with perfectionism sometimes), I set a timer and “free write” for 15 minutes. I have found that allowing myself to just enjoy what I am doing yields much better results than over-efforting.

One practice that really works for me is to make a drawing or write a poem as soon as I wake up. I make it a daily ritual to “gift” myself 20 minutes to draw or write while drinking my first cup of coffee. Admittedly that was harder when my kids were little, so eventually I figured out how to find little pockets of time to draw, such as when I sat in the car on the pick-up line at school. 

A large part of my practice is wandering, literally and figuratively. I let myself daydream, I carry a journal everywhere I go and write ideas down when I have them, and I get myself outside as much as I can. I believe we mirror nature, so I find it helpful to get as close to the trees and water as possible. The more I see myself through the lens of a larger world, the more connected I feel to myself and that world, and the easier it is to create. 

For me, finding a sense of fun also requires slowing down. My practices allow me to question myself. I regularly tune in to figure out what my subtle body is asking for. Sometimes all I need is a deep, full breath to get going. Other times I have to discipline myself to stick to my intention and creative routine before I get to the fun part. Finding the fun in any kind of creative practice is itself a practice that like anything else, gets easier over time. 

Can you remember when you just purely 
loved writing? 
How can you change the way you think about writing so you can bring a sense of wonder and enjoyment to what you do?

Daily Drawing Practice
Can you remember when you just purely loved writing? How can you change the way you think about writing so you can bring a sense of wonder and enjoyment to what you do? Today I’d be so curious to read a passage that was fun for you to write. Maybe you can try something new. If you usually write fiction, try your hand at a poem or a free write about something you love. No matter what you choose to share (or not), bringing a sense of play to your writing will free up your imagination. You might even surprise yourself.

The passage I’d like to share with you here is a living example of a piece of work that was really hard for me, until I allowed myself to just have fun with what I was writing. It’s an excerpt from a book that I am working on about consciousness and creativity. It is a book of poems, artwork and critical writing.  
I’ll be checking in all day to read your excerpts and comment. I always find it an inspiration to see what others are working on.

 And, remember, if you're not familiar with the RULES please read them there first!

---- 

“The unpredictable arithmetic of being human means that at any moment something can be added, subtracted, multiplied or divided from us. That’s why the great sages teach us to cultivate practices that help us let go of our attachments and find the middle way. The middle way allows us some flexibility, and the ability to be intimately “present.”

In viewing our endless balancing act as opportunity, we can step out of our conditioned perspective that tension in relationship is a problem. In doing so, we create a small space between emotion and reaction, and in that space we can empower ourselves to make choices that serve both ourselves and the other. 

Being willing to co-exist in the moment-to-moment fluctuations of relationship creates openings through which we can more deeply experience how intricately we are tied to everything and everyone else. All of the things that exist as form, the body, with its blood, bone, veins, the natural world consisting of trees, grasses, clouds, water, soil, stone shapes us. Form is what makes essence visible. 

----- 
           

To connect further with Lori, you can follow her at @LoriElleLandau on Instagram, where she often posts her drawings, or a small slice of life. You may also email her at Jesart@aol.com

Monday, January 19, 2015

Words, wise and clear


Extraordinary pen & oil pastel by Lori Landau Art.
click HERE to visit her site.


"I refuse to accept the view that mankind is so tragically bound to the starless midnight of racism and war that the bright daybreak of peace and brotherhood can never become a reality... I believe that unarmed truth and unconditional love will have the final word."


- Martin Luther King, Jr.





I had, and still have, many flaws as a parent. 

One of the best things I think I did right as a parent -- which I got from my mom who did the same -- was to pay attention to Martin Luther King day and all it stands for with my boys. 

When they were really little, I would sit them in my lap and we'd listen to his speech on the computer -- or at least parts of it -- and talk about him and what it means to be tolerant and what it means to stand up for one another. 

Now they are bigger, but I still email them a link to the speech every year and remind them why we are home and not at school or work on this day. I'm proud that they fondly remember the year we got a washable paint roller and wrote some of the words to MLK's speech on our front window at home. . . as many as we could fit. . . then watched as people stopped to read them and take them in. 

There is a reason many of us are home today. Make sure your kids know why. 

And, too, that they know how much work there is still left to do.



To listen to his speech, click on the link above or go here: http://www.americanrhetoric.com/speeches/mlkihaveadream.htm

gae heart emoticon

Friday, March 7, 2014

The Summer of Letting Go Karma or Coincidence? Countdown (Lori Landau)


If you've read this intro four times already, for Pete's sake, please skip right down to the guest post!

As some of you may know, THE SUMMER OF LETTING GO, my second novel for young adults comes out March 25th from Algonquin Young Readers.

THE SUMMER OF LETTING GO tells the story of almost-16-yr-old Francesca “Beans” “Frankie” Schnell who, four years ago witnessed her baby brother, Simon, drown. Guilty and broken, Francesca has hunkered down in the shadows of her life, resolved to play second fiddle to her dead brother’s memory and to her best friend Lisette, a blonde bubbly beauty Francesca lives vicariously through. That is, until she meets a young boy named Frankie Sky who bears an uncanny resemblance to her brother. Frankie brings humor and hope to Francesca’s life, but are all the similarities between Frankie and Simon merely wishful coincidences, or could he be Simon’s reincarnation?


Curious coincidences abound in THE SUMMER OF LETTING GO not only the overlaps between Simon and Frankie Skybut also Bradley’s gift to Francesca, Bradley’s bird sighting, and the ties to the statue of  Saint Florian (you'll have to read to know what these are ;)). Midway through the story Francesca starts to think these events can’t really be coincidences, “but something bigger and magical at work.”

Do you think our lives are random, or do you think there’s “something bigger and magical at work”? Have you ever experienced strange events that seemed like more than coincidence and made you wonder if fate was at work or that soul and or reincarnation exist?

Throughout the month, I've decided to pose that question to friends, some writers, others bearing other artistic talents, for a brief account of their own experience with karma, kismet or a mystical connection. I leave you to answer the question, “Karma or coincidence? Random or something magical at work?” 

- gae

Lori Landau

Today, for a twist, I have my dear friend, Lori Landau, here answering the question "random or magical?" through her ART.

Lori is not only a friend I've known since our teens, but a talented interdisciplinary artist, writer and meditation teacher.
You can read and follow her blog, Conscious Creativity HERE.

Inevitably, when I see one of Lori's drawings, I immediately marvel at how she seems able to capture the essence (or soul) of a person with so few lines. . . Here she is:

artwork, Lori Landau

I never fool myself that I'm adept enough to draw a true likeness of someone. But I'm fascinated with exploring the unseen, the essence of being. 

For me, drawing a portrait is an act of conjuring. I don't draw to reproduce features as they are, but to commune with consciousness and transcribe soul.


I'm often surprised by my own results, in spite of my intention to convey the unknown. What appears on the page, versus what was in my mind when I began drawing becomes a mysterious reverberation of magic. 



There are countless times that I have picked up a pen to draw my husband, or a stranger I see in an airport or restaurant, and what surfaces instead is the face of one of my ancestors, often my grandfather or a great uncle. 


Drawn on a poloroid, this is an actual
magical manifestation of my grandfather. Lori Landau


Here, my uncle arises...
People who are concealed in my memory are revealed when I least expect it, in an act of reverse divination. 

A sense of sorcery shows itself in the eyes and mouths that defy my hand and take on a life of their own in the faces I draw. What rises from the depths of initial inspiration is evidence that there's a larger, secret force at work in the world.


All artwork: Lori Landau
In art and life, I believe there are two dynamics that exist in connection with one another, separate from an objective. It's clear to me that the images that manifest within my portraits are inexplicably bound to a mystical source. They are apparitional bits of visual phenomena, spirit scripts that are beyond my control. 

Each face I draw is in a sense, 
borrowed magic 
masquerading as an image, or a likeness. 

So when I sit down with the aim of drawing someone in particular, someone else entirely might speak to me in an invisible language. 


For me, drawing is an act of summoning. Lines and shading and color become vehicles for coincidence, a collection of two or more conditions, closely related by form which appears unlikely to me when I pick up my pen. 

- Lori



Please check out The Summer of Letting Go and all of Lori's really magnificent ART (portraits, paintings and photography) as well as her meditation information and blog. http://www.consciousnesscreativity.com/. And if you enjoyed this post, check out the rest of this week's posts here:

Charlotte Bennardo and Natalie Zaman

Hart Johnson writing as Alyse Carlson

James King

Barbara O'Connor.

Thanks to all the wonderful friends participating. Stay tuned for next week's posts!